Aldous Huxley Explains How Man Became “the Victim of His Own Technology” (1961)

Aldous Huxley Explains How Man Became “the Victim of His Own Technology” (1961)

Just a cou­ple of days ago, Apple CEO Tim Cook tweet­ed out a video pro­mot­ing, “the new iPad Pro: the thinnest prod­uct we’ve ever cre­at­ed.” The response has been over­whelm­ing, and over­whelm­ing­ly neg­a­tive: for many view­ers, the ad’s imagery of a hydraulic press crush­ing a heap of musi­cal instru­ments, art sup­plies, and vin­tage enter­tain­ment into a sin­gle tablet inad­ver­tent­ly artic­u­lat­ed a dis­com­fort they’ve long felt with tech­nol­o­gy’s direc­tion in the past cou­ple of decades. As the nov­el­ist Hari Kun­zru put it“Crush­ing the sym­bols of human cre­ativ­i­ty to pro­duce a homog­e­nized brand­ed slab is pret­ty much where the tech indus­try is at in 2024.”

One won­ders whether this would have sur­prised Aldous Hux­ley. He under­stood, as he explains in the 1961 BBC inter­view above, that “if you plant the seed of applied sci­ence or tech­nol­o­gy, it pro­ceeds to grow, and it grows accord­ing to the laws of its own being. And the laws of its being are not nec­es­sar­i­ly the same as the laws of our being.”

Even six decades ago, he and cer­tain oth­ers had the sense, which has since become fair­ly com­mon, that “man is being sub­ject­ed to his own inven­tions, that he is now the vic­tim of his own tech­nol­o­gy”; that “the devel­op­ment of recent social and sci­en­tif­ic his­to­ry has cre­at­ed a world in which man seems to be made for tech­nol­o­gy rather than the oth­er way around.”

Hav­ing writ­ten his acclaimed dystopi­an nov­el Brave New World thir­ty years ear­li­er, Hux­ley was estab­lished as a seer of pos­si­ble tech­nol­o­gy-dri­ven total­i­tar­i­an futures. He under­stood that “we are a lit­tle reluc­tant to embark upon tech­nol­o­gy, to allow tech­nol­o­gy to take over,” but that, “in the long run, we gen­er­al­ly suc­cumb,” allow­ing our­selves to be mas­tered by our own cre­ations. In this, he resem­bles the Julia of Byron’s Don Juan, who, “whis­per­ing ‘I will ne’er con­sent’ – con­sent­ed.” Hux­ley also knew that “it is pos­si­ble to make peo­ple con­tent with their servi­tude,” even more effec­tive­ly in moder­ni­ty than antiq­ui­ty: “you can pro­vide them with bread and cir­cus­es, and you can pro­vide them with end­less amounts of dis­trac­tion and pro­pa­gan­da” — deliv­ered, here in the twen­ty-first-cen­tu­ry, straight to the device in our hand.

Relat­ed con­tent:

Aldous Hux­ley Pre­dicts in 1950 What the World Will Look Like in the Year 2000

An Ani­mat­ed Aldous Hux­ley Iden­ti­fies the Dystopi­an Threats to Our Free­dom (1958)

Aldous Hux­ley Tells Mike Wal­lace What Will Destroy Democ­ra­cy: Over­pop­u­la­tion, Drugs & Insid­i­ous Tech­nol­o­gy (1958)

Aldous Hux­ley to George Orwell: My Hell­ish Vision of the Future is Bet­ter Than Yours (1949)

Hear Aldous Hux­ley Nar­rate His Dystopi­an Mas­ter­piece Brave New World

Aldous Hux­ley, Dying of Can­cer, Left This World Trip­ping on LSD (1963)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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